‘Nida Sajidʼs inventive, hybrid debut novel combines seemingly incongruous elements to create subversive new realities … [It] shows us we have more power than we think, already right now.’ — Still Point

‘COOP is unlike anything else I’ve read recently … This book left me aching and feeling more human.’ — Mohamed Tonsy, author of You Must Believe in Spring

Lena is a part-time bookseller in a bougie design studio in Oxford Circus. In between minimum-wage work under a politically hostile boss and strained communications with her parents, her days are shaped by a fraught relationship with food, ambiguous experiments in creative writing, and mounting pressure to find a ‘proper’ postgraduate job.

In taut, pocket-sized vignettes, COOP reveals a suffocating lattice of language that makes up a precarious London life. But as each word of her story unravels, Lena discovers interstices between them—to find autonomy and escape.

‘COOP is the story of how a book-loving twenty-something wrests her life back from bullshit jobs, junk consumerism and screentime. Part prose, part verse, part digital-age epistolary … Nida Sajidʼs inventive, hybrid debut novel combines seemingly incongruous elements to create subversive new realities … [It] shows us we have more power than we think, already right now.’ — Still Point

‘A treasure of a book. Nida Sajid exercises an inventiveness and lightness of touch that transform the daily humiliations of retail work and zero-hour contracts, calorie counting and pompous dates into (to quote Lena quoting Marx) a “coup d’état in miniature” upon the page … This novelette is as bright as it is cutting.’ — Hannah Regel, author of The Last Sane Woman

‘COOP is unlike anything else I’ve read recently. Addictive and cathartic to read with an immediacy that propels you through the novelette, Nida’s incisive prose captures Lena’s fleeting thoughts and feelings as she tries to survive … clinging to work, messages, poetry, writing and the news in an effort to resist disappearance. This book left me aching and feeling more human.’ — Mohamed Tonsy, bookseller, ceramicist and author of You Must Believe in Spring

‘Form and content play off one another in this experimental series of vignettes, which come together to offer a commentary—sardonic yet earnest, poignant yet breezy—on the disjointed anxiety and pervasive sense of loss that mark the times we live in today.’ — Ayesha Manazir Siddiqi, author of The Centre

‘Tender and wry—Sajid dissects the nice violences of liberal culture, skewering the affectations of the complacent classes, in this bookshop novel for genocidal times.’ — Louise O'Hare, author of Centrefold 1974: A Memoir

REVIEW: Wrapping wrapped in wrapping — Still Point

COOP – Nida Sajid in Conversation with Ayesha Manazir Siddiqi — Pages of Hackney podcast

18 December 2025
Paperback / 9781914221385
ebook / 9781914221392
178 × 111 mm
150 pages